the impressive vessel with everted lip above an ovoid body flanked by double mask handles all over a splayed foot; painted overall with a female figue and putti ina landscape setting in an underglaze blue glaze; professional repair to lip; good antique condition with some wear
nice pair of vintage Royal Haeger pottery pitchers with a textured drip glaze all on an ivory ground; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear; chipping to one spout; some craquelure to glaze
the large beautifully-detailed ceramic white glazed parrot with head in profile above a well-delineated plumed body with long tail feathers; all perched upon a branch-work base with applied leaves and grapes; with underglaze blue maker's mark and paper label 'made in Italy'; good vintage condition with small areas of missing glaze; small hairline crack to one wing
Three globular forms with narrow mouths; comprising blue glaze example, dark purple glaze example, and black glaze with ocher accent; the blue vase with "Otto 98", the purple vase with "Otto 02", the black vase with "Otto 99"; excellent condition with minimal wear
the majestic rooster with turned head and direct gaze below a proud comb all above a robust body of well-delineated plumage with feet firmly planted in a grassy ground; covered overall in rich glazes of cobalt blue, crimson, teal, black and sienna; good overall condition with no cracks; minor flaking to glaze
nice collection of vintage Royal Haeger pottery vessels; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear, minor chipping to lower edge; some craquelure to glaze
with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label
