well-executed solid bronze sculpture of young boys on a seesaw; all resting on a solid onyx base; Curtis Jere was a metalwork company of wall sculptures and household accessories founded in 1963. Elle Decor referred to the works of Jere as 'vintage chic' in a 2010 article by Mitchell Owens; nice patina to bronze; minor chipping to edges of onyx base
this large tapering vessel with applied armorial crests to front and back all flanked by bold lion ring handles; raised on 3 claw-and-ball feet; good patina and antique condition with overall even wear and abrasions; minor split to underside
each heavy candlestick with hand-hammered shaft below a circular cup; all resting in a circular splayed base; good vintage condition with overall even wear; some scuffs and abrasions
this handsome one-of-a-kind hand-crafted vase of beautifully figured walnut and birdseye maple; good vintage condition with professional repair to base of neck
the all panel-cut jar with splayed cover topped with a faceted finial knob all resting on an ovoid body; unsigned; in the manner of Moser Glassworks; in excellent condition with no chips or cracks; minor abrasions to underside of foot
in the style of Irénée René Rochard; of stylized form displaying great movement, the racing greyhound catapulting forward; resting on a sphere over a square plinth; overall even patina to surface; unsigned
great set of American 1960's pottery, set of 3 vessels with mustard and brown glaze over an olive green ground; each with maker's marks to underside; excellent vintage condition with minor overall wear; no chips or cracks
each doki (earthenware) vase of shapely sensual baluster form covered in a rich celadon drip glaze ending at the foot; each marked to underside; excellent condition with no chips or cracks
the clear glass mug with pewter hinged lid and loop handle; painted with a very focused bowler; excellent antique condition with no chips or cracks; patina to pewter
Originally this piece would have been elaborately painted. It was recovered from a sunken ship after approximately 200 years on the sea floor. The result is this wonderful carving with only hints of the original paint having been washed and softened by the sea; overall even wear; some chipping; small areas of pigment; now on a later stand
