each well-rendered artist's study depicting grasping hands and a foreshortened foot; very nicely detailed; unsigned; excellent condition with minor discoloration to paper; new deep brown lacquered wooden frames and fillets with acid-free matting
with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded
Originally this piece would have been elaborately painted. It was recovered from a sunken ship after approximately 200 years on the sea floor. The result is this wonderful carving with only hints of the original paint having been washed and softened by the sea; overall even wear; some chipping; small areas of pigment; now on a later stand
with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches
signed on bottom 'Giovanni Mollica'; in 1842, Giovanni founded his ceramic workshop in Naples, Italy. His sons Ciro, Achille and Alexander took over the family business, continuing it until the end of the 19th century; excellent condition with only minor overall wear to surface; a truly spectacular piece
the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage
each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.
