capped with an oak leaf wreath emanating cascading iron rope twist strands joining seven scrolled candle arms surrounding a central support with a meandering oak leaf vine; overall even wear to surface; professionally rewired
the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher; adorned with crystal flower heads and leaves interspersed by over-scaled tole leaves all ending in an acorn pendant knob; professionally rewired; good vintage condition with minor wear; no missing crystals
The framed arching back cascading down to rolled upholstered arms flanking a loose cushion seat; raised on octagonal suuport with silver-plated caps and feet; the framed back and supports with pewter inlay; good vintage condition; newly upholstered
each of large scale with tall upholstered back flanked by openwork wings; raised on turned supports; attributed to Italian architect and furniture designer Pierluigi Colli (b. Milan 1895); excellent vintage condition; newly upholstered and refinished supports
the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina
each bookend capped with a head of a spartan soldier with helmet showing the crest, dome and faceplate; all resting on a square plinth; some surface abrasions and chipping
each of elliptical form lamp with long flaring neck above a bulbous body all resting on a giltwood base; even wear and rubbing to re-gilded surface; glass in good condition with no chips or cracks; professionally rewired
of graceful form with double-baluster support above a ribbed bowl emanating six S-shaped arms supporting ribbed bobeches; with acid-etched signature to bowl; excellent condition with no chips or cracks; re-wired for US voltage
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
each of organic form composed of half-round and ribbed glass shades with waisted mid-section and scalloped top and bottom; the interior rolled in a golden crushed glass (graniglia glass) allowing the shade to emit a warm glow; the later gold painted backplates fitted with 2 chandelier bulb sockets; excellent condition with no chips or cracks; minor rubbing to backplates; newly wired
