Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey
each hand-painted urn adorned overall with an abundance of flowers and opposing song birds; excellent vintage condition with minor wear; one with small chip to underside
a fine example from the Leeds factory Burmantofts faïence, with pierced neck and shoulder and adorned overall with incised decoration; excellent antique condition with overall minor wear consistent with age; stamped to underside 'Burmantofts Faience, 504 EAS', examples of Burmantofts faience can be found in the Victoria & Albert Museum Ceramic collection
each of bulbous form adorned overall with stylized birds in flight over a moonlit sky and lively cloud scrolls; excellent vintage condition with overall even wear to surface; no chips or cracks
Signed on reverse 'Dutch Galliot at Harbour Mouth'; a galiot was a type of Dutch merchant ship similar to a ketch, with a rounded fore and aft with flat bottoms to sail in shallow waters; excellent restored condition with professional repair; some wear to original giltwood frame; overall craquelure to glaze
with revived interest in the arts and design of the Renaissance period of the 14th-16th centuries; signed to underside 'AS' for Alfredo Santarelli (Italian 1874-1957) Majolica lustre-glazed urn with serpent handles; professional repair to lip
impressed with Rookwood flame mark; the well-detailed deep bowl depicting large overlapping cabbage leaves with flared undulating rim all tapering to a short foot; excellent condition with no chips or cracks;
Rookwood has the distinction of being the first manufacturing company in the United States founded by a female, Maria Longworth Nichols (Cincinnati, OH, 1880) The name was chosen because of the many rooks, also known as crows, on her father’s estate and added “wood” in recognition of Wedgwood
signed on bottom 'Giovanni Mollica'; in 1842, Giovanni founded his ceramic workshop in Naples, Italy. His sons Ciro, Achille and Alexander took over the family business, continuing it until the end of the 19th century; excellent condition with only minor overall wear to surface; a truly spectacular piece
of impressive size, the lidded ginger jar with domed lid and tapering lobed body with underglaze blue decoration of vibrant flower heads with lappet collar and base; raised on a faux painted blue and white base; excellent condition; rewired
