Each of cylindrical form covered in a pale green leather fitted with brass spheres all over a canted base; excellent vintage condition with minor wear to surface; rewired
with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame
of stylized baluster form with long tapering neck above a compressed body tapering at the base; all raised on an openwork brass base with square plinth; good vintage condition with no chips or cracks; some discoloration and patina to brass; rewired
this classic design of aluminum construction with burgundy leather; original design from 1958, Eames Aluminum Group; 1980's; see '1000 chairs' by Charlotte and Peter Fiell pgs. 338-339; overall creasing and patina to leather with minor rubbing to metal
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks
each comfortable chair with overstuffed wings above a loose cushion flanked by out-scrolled arms; raised on square supports joined by stretchers; upholstered in Pierre Frey French country 'La Basse Cour' fabric; excellent overall condition with minor fading to arms
the kidney-shaped glass top raised on 3 rectilinear Lucite supports all joined by curvaceous brass stretchers; good vintage condition with minor overall wear;
of campaign style, each with semi-attached leather cushion above a wooden frame with faux bamboo perimeter border fitted with brass mounts; excellent vintage condition with new upholstery; nice patina to wood with some pitting to brass mounts
well-executed solid bronze sculpture of young boys on a seesaw; all resting on a solid onyx base; Curtis Jere was a metalwork company of wall sculptures and household accessories founded in 1963. Elle Decor referred to the works of Jere as 'vintage chic' in a 2010 article by Mitchell Owens; nice patina to bronze; minor chipping to edges of onyx base
the baluster support emanating 6 scrolled glass arms below glass candle-cups; excellent vintage condition with no breaks; rewired with new resin candle sleeves
