each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

each tall bottle-form lamp with a textured peach and white glaze all over a walnut base; good vintage condition with minor wear; re-wired

each cylindrical lamp of openwork geometric enameled-metal with wooden caps and bases; good vintage condition with minor wear; re-wired

each with long octagonal neck above an ovoid body ending in a splayed foot; fitted with brass collars; professionally rewired; some wear to alabaster; patina and antiquing to brass

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

each square-form bench with semi-detached faux leather cushion over a deep apron; raised on square tapering brushed-steel supports; overall good vintage condition with some rubbing to edges of cushions; abrasions and dings to legs 

the square saddle-stitched leather seat above an openwork apron all raised on splayed legs joined by an x-form stretcher with central finial; excellent antique condition with new leather upholstery and water-gilded surface

the shaped stool with a slip seat above a deep concave apron; all raised on exuberant acanthus carved cabriole legs ending in claw and ball feet; minor veneer replacements; refinished surface; wear consistent with age and use

the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage

The serpentine top centering an inlaid Maltese Cross, the symbol of protection and a badge of honor, within a diamond and outer inlaid border; over a deeply scalloped apron centering a spherical reserve panel; raised on shapely cabriole supports ending in hoof feet; solid construction with rich honey-colored patina; professionally refinished; old repairs and replacements

this rare architectural or pyramid Biedermeier furniture was created by the highest level craftsmen, having a rectangular top above a pediment frieze over three drawers flanked by Doric columns over block supports; refinished surface; good antique condition with overall even wear and patina

each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase)  28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding

each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass)  29.25" (top of shade); some pitting to well-patinated brass; professionally rewired

of large scale, the robust lamp of octagonal baluster form with everted lip above an ovoid body all resting on a splayed foot and circular base; decorated overall in a rich drip glaze in colors of ochre, green, brown and ivory; 18.5" (top of ceramic)  30.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired

the die in solid laminated mahogany for the manufacture of a child's toy pedal car (metal would be wrapped around this die and steering wheel attached later)

each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.

the rectangular top with glass insert flanked by open handles; over a thick apron raised on elegant splayed supports

the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear

the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition

a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
 

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

each white glazed lamp with domed faceted lid resting on a conforming body decorated with gilt floral and foliate reserves on a cobalt ground; with geometric perimeter band at the shoulder; mounted on a gilt-bronze base; professionally rewired, excellent vintage condition with no chips or cracks; minor wear to surface

with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired

each lidded double-handled urn adorned with cascading hand-painted bell flower garlands all raised on brass bases; good vintage condition with no chips or cracks; professionally rewired; minor overall wear