each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired
appears to be a one-of-a-kind, shop-made bronze table in the neoclassical taste fitted with two glass shelves with openwork Greek Key apron and gallery; would make a great bar; the heavy and solid frame with charming hand-made imperfections
of Art Deco and Neoclassical inspiration, the rectangular table with glass top resting on a sturdy chrome frame with tapering square-form legs capped with bold spheres; all joined by a shaped H-stretcher; excellent vintage condition with minor wear and patination to metal surface
with domed lid centering an inlaid shell medallion; all resting on a rectangular body raised on brass ball and claw feet; later velvet-lined interior; good antique condition with some shrinkage
with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded
this classically styled table hand-crafted in France with thick circular top with bullnose edge; raised on a robust and shapely baluster-form base; overall even wear and patina to surface
the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher
the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired
of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding
