consisting of three pivoting, centrally-joined upright turned supports capped with brass melon-form bosses and fitted with brass coat hooks; all joined by a detachable lower circular dish for umbrellas; good antique condition with overall even wear and patina
the large jug with pinched mouth and short neck above a portly body fitted with a loop handle all resting on a stepped foot; the exterior covered in a deep emerald green glaze with a rich brown glaze to the interior; good vintage condition with no chips or cracks; overal even wear to surface
this Roseville jardiniere on pedestal in the rare Florentine Pattern manufactured from 1923-1926, featuring a bulbous double-handled urn resting on a tapering pedestal ending on a splayed foot; adorned overall with egg-and-dart perimeter bands and cascading garland festoons; good antique condition with small chip to base and one handle; with fine glaze craquelure overall
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks
this handsome one-of-a-kind hand-crafted vase of beautifully figured walnut and birdseye maple; good vintage condition with professional repair to base of neck
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
