a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina
an early 1950s production Florence Knoll for Knoll International lounge chair with loose back and seat cushions all resting on four turned tapering legs; professionally refinished with new butter-yellow linen upholstery; excellent vintage condition with sturdy hardwood frame
the tall rectangular mirror plate within an exceptional undulating glass frame of clear and etched mirrored glass with chrome mounts at each corner; excellent vintage condition with no chips or cracks; some foxing to mirror
each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass) 28.25" (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired
designed in 1959 by Bodil Kjær to accompany her iconic ‘James Bond’ desk in a well-figured and deeply patinated rosewood; manufacrtured by E. Pedersen & Søn for Jason Møbler; fitted with one filing drawer and one smaller drawer all supported on steel supports; good vintage condition with professionally restored finish; key plate removed and filled
Each having a square-form top with bronze shaded glass inserts covering a mahogany-lined open well; all raised on block plinths; veneered overall in a warmly patinated and well-figured amboyna burl, one of the most expensive and sought-after of all burls; G-Plan was founded by Ebenezer Gomme, an extraordinary visionary for British furniture design. In response to the deficit of attractive and well made furniture after WW II, Gomme pioneered a range of furniture which grew to become one of Britain’s most iconic brands.
of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
with cylindrical neck above an ovoid body ending in a splayed foot; decorated overall with a controlled drip glaze in colors of ivory and cerulean blue; with wooden cap and base; fine overall craquelure to glaze; good vintage condition with no chips or cracks; professionally rewired
