of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
with cylindrical neck above an ovoid body ending in a splayed foot; decorated overall with a controlled drip glaze in colors of ivory and cerulean blue; with wooden cap and base; fine overall craquelure to glaze; good vintage condition with no chips or cracks; professionally rewired
the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; each barrel-back chair with incurved back and downward sloping arms flanking a tight seat; all raised on tapering legs; professionally refreshed surface; good vintage condition with sturdy frames; reupholstered
of large scale, the robust lamp of octagonal baluster form with everted lip above an ovoid body all resting on a splayed foot and circular base; decorated overall in a rich drip glaze in colors of ochre, green, brown and ivory; 18.5" (top of ceramic) 30.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
A stunning and rare ash credenza or sideboard designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design featuring two doors sheathed in convex square wooden tiles adhered in a basket weave pattern with alternating grain all flanked by three bookmatched drawers; raised on short tapering supports; Stamped - Brown Saltman Co - South Gate, California; good vintage condition with warm patina; professionally refinished
A stunning textured ash dresser designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design features six drawers sheathed in convex square wooden tiles adhered in a basket weave pattern with alternating grain; Stamped - Brown Saltman Co - South Gate, California; raised on solid rectilinear splayed supports; good vintage condition with warm patina; professionally refinished
