each sculptural oversized table lamp, composed of stacked free-form clear crystal hand-blown vases with pinched mid-section joined by a chrome stem; good vintage condition with minor rubbing to glass; some age and patina to metal; professionally rewired
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired
each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $4,000 each
each with long neck above a bulbous body all in a graduated lavender drip glaze all resting on brass bases; excellent vintage condition with only minor wear; no chips or cracks; professionally rewired
the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering
from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use
each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired
each with long octagonal neck above an ovoid body ending in a splayed foot; fitted with brass collars; professionally rewired; some wear to alabaster; patina and antiquing to brass
each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.
