each tall slender lamp of bottle-form with black, yellow and teal drip glaze; raised on an ebonized metal base; good vintage condition with minor wear; re-wired
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
each ceramic ovoid-form lamp in a matte steel-blue glaze with a brass perimeter band of imbricated leaves; good vintage condition; minor pitting to brass; re-wired
each tall double-baluster lamp of ivory crackle glaze; adorned with stylized floral and foliate relief carved perimeter bands and reserves; raised on splayed brass bases; good vintage condition with minor wear; re-wired
each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired
